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Buddhist chant - Wikipedia. A Buddhist chant is a form of musical verse or incantation, in some ways analogous to Hindu, Christian or Jewish religious recitations. They exist in just about every part of the Buddhist world, from the Wats in Thailand to the Tibetan Buddhist temples in India and Tibet. Almost every Buddhist school has some tradition of chanting associated with it, regardless of being Theravada or Mahayana. Traditional chanting. Some forms of Buddhism also use chanting for ritualistic purposes. While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources.
Theravada chants. A Mahayana sutra that reveals the true identity of shakyamuni as a buddha who attained enlightenment numberless major world system dust particle ago. Kumarajiva's translation, which is widely honoured, is entitled the Lotus Sutra of the wonderful law (Myoho Renge Kyo). The mystic relationship between the law and the lives of the people courses eternally through past, present, and future, unbroken in any lifetime. In terms of space, the Nichiren proclaims that the heritage of the ultimate law flows within lives of his disciples and lay supporters who work in perfect unity for the realization of a peaceful world and happiness for all humanity. Nichiren practitioners will chant Nam Myoho Renge Kyo - the true aspect of all the phenomena and recite certain chapters from the Lotus Sutra, in particular the 2nd and 1. Pure Land Buddhists chant nianfo, Namu Amida Butsu or Namo Amituofo (Homage to Amitabha Buddha).
In more formal services, practitioners will also chant excerpts from the Larger Sutra of Immeasurable Life or occasionally the entire Smaller Sutra of Immeasurable Life (a sutra not unique for Pure Land Buddhism, but chanted in the evening by Chan- buddhists and Tendai- buddhists as well). Popular with Zen, Shingon or other Mahayana practitioners is chanting the Praj. In more formal settings, larger discourses of the Buddha (such as the Diamond Sutra in Zen temples and the Lotus Sutra in Tendai temples) may be chanted as well. Particularly in the Chinese, Vietnamese and the Japanese traditions, repentance ceremonies, involving paying deep reverence to the buddhas and bodhisattvas, as well as executing rituals to rescue and feed hungry ghosts, are also occasionally practiced. There is no universally used form for these two practices, but several different forms, the use of which follows doctrinal and geographical borders. Within Chan, it is common to chant sanskritformulae, known as dh.
Other popular chants include those of Tara, Bhaisajyaguru, and Amitabha. Tibetan monks are noted for their skill at throat- singing, a specialized form of chanting in which, by amplifying the voice's upper partials, the chanter can produce multiple distinct pitches simultaneously. Japanese esoteric practitioners also practice a form of chanting called shomyo. Critique of melodious chanting. What five? Oneself gets attached to the sound, others get attached to the sound, householders are annoyed, saying, . This statement means that sutras, which are just symbols like painted rice cakes, cannot truly satisfy one's spiritual hunger.
In liturgy there is only intimacy. By listening with one's entire being, one eliminates the space between the self and the liturgy. By focusing all of one's being on one specific practice, duality is transcended.
The liturgy used is a tool to allow the practitioner to transcend the old conceptions of self and other. In this way, intimate liturgy practice allows one to realize emptiness (sunyata), which is at the heart of Zen Buddhist teachings. Non- canonical uses of Buddhist chanting. A large number of these schools tend to be syncretic and incorporate Hindu japa and other such traditions alongside the Buddhist influences.
While not strictly a variation of Buddhist chanting in itself, Japanese Shigin (.
Thai Buddhist Paritta Chanting.
Thai Pali Paritta Chanting.